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INTELLIGENCE, GIFTEDNESS, AND TALENT --See also Intelligence: Knowns and Unknowns
Frequently, the identification of giftedness by school districts has been based on traditional notions of intelligence, as characterized by general intellectual ability and specific aptitudes. Usually, intelligence tests will identify the students who are likely to be successful in school, because they measure the abilities that are most valued by schools --primarily verbal and logical-mathematical intelligences. Since IQ scores are relatively stable over much of a person's life, the use of traditional methods for identifying giftedness, with a major emphasis on IQ, may reflect an assumption about intelligence as an inborn trait that is fixed and not amenable to mediation through experience. Sometimes, school districts also use informal measures, such as teacher referrals, parent reports, and peer nominations, for the identification of giftedness. However, the IQ score tends to be heavily weighted. Intelligence tests do not identify artistic and creative potential, or other abilities traditionally less valued by educational institutions, such as emotional intelligence, social competence or leadership ability --which may be very valuable in other arenas, including the workplace. Thus, some experts have asserted that traditional definitions of giftedness are too narrow, that they minimize the complex, multidimensional quality of the human intellect and discount significant areas of human potential.
INTELLIGENCE AS MULTIDIMENSIONAL POTENTIAL
Sternberg identified three major components in his Triarchic Theory of Intelligence, including analytic, creative, and practical intelligences. He asserted that individuals express patterns of intelligence reflective of strengths in various combinations of these abilities, and from preferences at three levels of self-governance: functions of governments of the mind, stylistic preferences, and forms of mental self-government (Sternberg, 2000).
Gardner identified nine areas of intelligence in his theory of Multiple Intelligences: linguistic, logical-mathematical, visual-spacial, kinesthetic, musical, interpersonal, intrapersonal, naturalist, and existential.
Guilford's Structure of the Intellect model is comprised of three primary dimensions, operations, contents, and products, resulting in up to 150 components of intelligence.
The model developed by Renzulli was intended to cast a wider net, in defining giftedness, than traditional methods of identification had, targeting those with above average ability, creativity, and high task commitment. Wheras traditional definitions of giftedness identify only about 3 to 5 percent of the population as gifted, programs based on Renzulli's definition identify up to 25% of the population and, therefore, permit more students access to specialized services. Usually referred to as "The Revolving-Door Model" of gifted education, students are rotated in and out, so that only a certain portion of students identified as gifted are actively involved in such programs at any given time.
Continuing Issues around the Assessment of Intellectual Abilities
Research has red flagged a number of problems associated with the use of intelligence tests for identifying gifted children, including the narrow definition of giftedness on which such tests are based, and the decreased likelihood of identifying gifted students from underrepresented groups. Although the practice of using IQ scores for identifying giftedness does not match the recommendations made by many contemporary psychologists and educators, schools continue to rely heavily on intelligence tests. In 1992, Sternberg argued that it's the consumers of tests, such as school districts, who have contributed to the delay in the development, marketing, and widespread use of more appropriate instruments for assessing intelligence.
AFFECTIVE AND COGNITIVE ISSUES RELATIVE TO HIGH ABILITY
Common Myths
It is a commonly held belief that, because of their high abilities, students who are gifted are advantaged and require no specialized education or supports, in order to realize their potential. However, whenever children have abilities that are not appreciated and cultivated, they may be at-risk for underachievement. Research has revealed the importance of mentors in the lives of high achieving individuals who are gifted, talented, and creative. Mentors played very significant roles in providing both intellectual and emotional guidance: they supported these individuals through difficult times, valued and nurtured their strengths, and urged them on toward self-actualization (Gardner, 1994).
Regardless of outcome, children and youth who are creatively and intellectually gifted differ from the norm and have different cognitive and affective needs. Silverman (2000, p. 1) stated, "When giftedness is seen as the mirror image of retardation, it becomes clear that we have a responsibility to meet their needs, whether or not they are high achievers."
Due to an increasing focus on academic achievement in the identification and education of gifted students, in 1991, The Columbus Group, comprised of practitioners, theorists, and parents, developed yet another definition of giftedness:
Giftedness is asynchronous development in which advanced cognitive
abilities and heightened intensity combine to create inner experiences
and awareness that are qualitatively different from the norm. This
asynchrony increases with higher intellectual capacity. The uniqueness
of the gifted renders them particularly vulnerable and requires
modifications in parenting, teaching and counseling in order for them to
develop optimally. (The Columbus Group, 1991)
There are a variety of grouping and placement options for situating gifted education. However, this is a very controversial matter, particularly due to the current Zeitgeist around including children with exceptionalities in the general education classroom. Some experts are very concerned that the continuum of placement options, and gifted education altogether, may no longer be available.
SOCIAL-EMOTIONAL CONCERNS
Struggles with Self and Other
In children who are creative and gifted, complex cognitive processes and a vast range of emotions may be held in a delicate balance. Many struggle with perfectionism, are self-critical, feel dissatisfied with a world filled with cruelty, become disillusioned with current ways of thinking, and have feelings of inferiority about attaining the ideal. The inner conflicts of individuals who are creative and gifted might sometimes appear as contradictions, such as wanting to both stand out and go unnoticed. Some children are subjected to repeated experiences of social humiliation related to being gifted, which may contribute to the development of ambivalent feelings about their abilities and confusion over how to assume their place in the world.
DABROWSKI'S THEORY OF EMOTIONAL DEVELOPMENT
Children who are gifted demonstrate greater awareness of the world and of social injustice. Many attempt to address and reconcile injustices much earlier than typically developing youths, but they have not yet developed coping strategies that match their cognitive awareness, in order to adequately process such emotionally charged experiences. A strong ability to conceptualize the ideal, coupled with a quest for meaning --the struggle to understand the purpose of being-- combined with feelings of powerlessness, may lead some of these young people into throes of despair over the human condition. It has been speculated that those who are gifted are at higher risk for existential depression, and adolescents who are gifted are at higher risk for suicide due to their increased sensitivity and inclination toward perfectionism (Delisle, 1986; 1990).
Those in greatest peril are those who are alienated from their families.
Most attempt or commit suicide because of the severity of their
problems, not because of their giftedness. However, alienation,
humiliation, isolation, or depression, when experienced with the
characteristic intensity of the gifted, can be fatal.
The pain borne of experiencing life at a deep level can be
constructive as well as destructive. According to some theorists,
inner conflict is potentially transformative and can be used to
further development (Assagioli, 1965; Dabrowski, 1972; Jung, 1954).
Such constructive use of psychic pain requires guidance.
(Silverman, 1993, p. 82-83)(emphasis added)
FORMS AND EXPRESSIONS OF PSYCHIC OVEREXCITABILITY (Piechowski, 1979; Silverman, 1993, p.18 - 20)
PSYCHOMOTOR
Surplus of energy
Rapid speech, marked enthusiasm, fast games and sports,
pressure for action, acting out
Psychomotor expression of emotional tension
Compulsive talking and chattering, impulsive actions,
nervous habits (tics, nailbiting), workaholism, acting out, compulsive
organizing, competitiveness
SENSUAL
Sensory pleasure
Seeing, smelling, tasting, touching, hearing
Sensual expression of emotional tension
Overeating, sexual overindulgence, buying sprees, wanting to
be in the limelight
Aesthetic Pleasures
Appreciation of beautiful objects (gems, jewelry, etc.),
writing styles, words
INTELLECTUAL
Probing questions; problem solving; learning
Curiosity, concentration, capacity of sustained intellectual
effort, avid reading, detailed planning
Theoretical thinking
Thinking about thinking, analytical thinking, introspection,
love of theory and analysis, moral thinking and development of a hierarchy of
values, conceptual and intuitive integration
IMAGINATIONAL
Free play of the imagination
Frequent use of image and metaphor, facility for invention
and fantasy, facility for detailed visualization, poetic and dramatic perception, animistic and
magical thinking
Spontaneous imagery as an expression of emotional tension
Animistic imagery, mixing truth and fiction, elaborate
dreams, illusions, detailed visual recall, fears of the unknown, tendency to dramatize
EMOTIONAL
Intensity of feeling
Positive feelings, negative feelings, extremes of emotion,
complex emotions and feelings, identification with others' feelings, laughing
and crying together
Somatic expressions
Tense stomach, sinking heart, blushing, flushing
Inhibition (timidity, shyness)
Strong affective memory
Fears and anxieties, feelings of guilt
Concern with death, depressive and suicidal moods
Relationship feelings
Emotional ties and attachments, concern for others
(empathy), sensitivity in relationships, attachment to animals, difficulty
adjusting to new environments, loneliness, conflicts with others over depth of
relationship
Feelings toward self
Self-evaluation and self-judgment, feelings of inadequacy
and inferiority
DABROWSKI'S LEVELS OF EMOTIONAL DEVELOPMENT (Silverman, 1993, p.18 - 20)
The Primary Focus of the Five Levels of Mature
Development:
1. Self-interest
2. Group values
3. Transformative growth
4. Self-actualization
5. Attainment of the ideal personality